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There's also a run-in with some Mafia types, and a wild ride with a crazed cab driver.
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Along the way they meet such characters as an anal retentive bus driver ( Philip Bosco) who believes in running a tight bus.
#Love strange love 1982 konusu movie
The movie basically split into two parts (1) The opening bank robbery, in which the New York police become thoroughly confused over who is a robber and who is a hostage, and (2) the attempts by the three robbers to get to Kennedy and board their getaway flight to Fiji. Geena Davis and Randy Quaid co-star as his partners in crime, and along the way they meet a gallery of character actors in weird supporting roles.
" Quick Change," stars Murray as a bank robber who disguises himself as a clown and stages a complicated heist, only to experience the most extraordinary troubles in getting to the airport. In a summer when the studios have laid claim to weekends as if they were gangs defining their turf, Warner Brothers hopes it has the biggest summer comedy. And I don't know why they print it - if they think it's news, or they think it makes people interested in movies."īill Murray's own movie will be that kind of news a week from now. I don't know why, because in theory only a couple of studios are going to profit from releasing that kind of information. And when the movies open, all the papers print charts showing which movie grossed the most that weekend. We're going to spend $3 million on Monday. They spend so much money, it's really scary.
"It used to be," he said, "that if a movie opened up and did a couple of million on its opening weekend, that was a big deal. That's why Murray would be happier if the fate of a movie wasn't determined so quickly these days, by the box office box score. It's hard to sell a comedy that way, since comedies depend more on situations and characters than on single sensational moments.
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The TV ads give away some of the good parts, like Bruce Willis jumping onto the wing of a plane, or Arnold Schwarzenegger's face splitting up into slices. Action is a lot easier to direct than comedy." Somehow the directors take over from the writers and the comedians, and the thing ends up being a lot more action than comedy. "I made a sequel, and it's hard, it's really hard to make a sequel, no matter how sincere you are, how much you want to try. "Or maybe it's just the sequel business itself," he said. He thought for a moment, drumming his fingers on the table. Although I haven't seen any of the sequels yet, I can tell they're a lot more violent than the originals." "Or look at some of the movies that did well first time out, like " Die Hard," " 48 Hrs." or " RoboCop." They were all kind of funny, even though there was violence in them. There was a scene where somebody just got five 9mm slugs in their chest, and they sort of slid down a mirror, and there was this blood on the mirror, and I thought, wait a second, this isn't comedy. I remember the first time I saw a violent movie that was supposed to be a comedy. There's a moment they've got to have, where they get to watch something horrible happen, and they get to enjoy it, without actually having to do it, or be a victim to it. "There's an audience that talks to the the screen, a screaming audience, that likes the violence, and there's a bonding that goes on in that group. It's about New York, and it's weird, but it isn't violent. "Six months ago that didn't bother me at all, and it really doesn't bother me now either, but people are saying things like, This is a gentle movie. "This movie doesn't have any violence in it," he said. Murray has a new summer movie opening next week, named " Quick Change," and he likes it a lot better than " Scrooged." What worries him a little, though, is that in a summer dominated by high-tech exercises in violence and action, a comedy might not be able to hold its own. He kept telling me to do things louder, louder, louder. We made it so fast, it was like doing a movie live. There's maybe one take in the final cut movie that is mine. That could have been a really, really great movie. Did you have some disagreements with the director?"
"No," I said, "it just didn't seem that funny. "I thought maybe you had some inside information, you know, about an unhappy set or something," he said.
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